Tuesday, November 18, 2025

Saint Petersburg - Anna Karenina - Maya Plisetskaya 15/20 Nov 2025

 

Maya Plisetskaya

There are names in ballet that are admired, and then there are names that alter the very course of the art.
Maya Mikhailovna Plisetskaya, born on 20 November 1925, belongs irrevocably to the latter. A legend not only of Russian ballet but of world culture, she was a phenomenon whose artistry transcended national borders, political boundaries, and stylistic categories. To speak of Plisetskaya is to speak of an era—one marked by courage, defiance, musicality beyond measure, and a dramatic intelligence that reshaped the language of classical dance.

In November, as the world approaches what would be her 100th birthday, St. Petersburg prepares to honor her with a week of performances that promise to turn the Mariinsky Theatre into the epicenter of global dance. These days are not merely performances; they are acts of remembrance, celebrations of an artist who changed ballet forever, and tributes to a woman whose shadow still falls beautifully across the stage.

The Unrepeatable Maya Plisetskaya

Plisetskaya possessed the rare gift of making roles entirely her own. Her Kitri in Don Quixote was not simply virtuosic—it was definitive, fiery, and irresistible. Her Odette-Odile blended immaculate technique with psychological nuance. Her Carmen Suite, created for her by Rodion Shchedrin, was a revolutionary reimagining of a classic femme fatale, sculpted with sharp angles, feline tension, and an authority that no dancer before or since has matched.
And her Dying Swan—those few minutes of shimmering fragility—became an icon of expressive minimalism.

For decades she was a beloved friend of the Mariinsky Theatre, an honored guest at premieres and festivals, and an artistic voice whose insight shaped the theatre’s repertoire. Many of Shchedrin’s works, born from their artistic partnership, hold a distinguished place in the Mariinsky to this day. It is therefore fitting that the theatre now pays tribute not only to her memory but also to the enduring power of the ballets she inspired.


A Week of Anna Karenina: Four Women, Four Universes

Rodion Shchedrin’s Anna Karenina—a ballet of sweeping emotion, intricate musical architecture, and devastating human drama—returns to the Mariinsky stage in a series of performances dedicated to both Plisetskaya and Shchedrin. Few ballets are so intimately tied to the soul of the artist who inspired them; few roles offer a dancer such psychological richness.

This week brings four Annas, each shaped by a different temperament, dramatic instinct, and musical sensibility.

November 15 – 14:00

Featuring: Olesya Novikova, Islom Baimuradov, Alexander Sergeev

The luminous Olesya Novikova opens this series. A dancer of crystalline technique and refined musicality, Novikova embodies Anna with a classical purity and emotional delicacy that promise a reading of the role rich in introspection. Her lines, always exquisite, seem to breathe with Tchaikovskian melancholy. Paired with Islom Baimuradov and Alexander Sergeev—artists of exceptional dramatic intelligence—this performance will undoubtedly bring forth the ballet’s quiet, aching poetry.

November 15 – 19:00

Featuring: Viktoria Tereshkina, Yevgeny Deryabin, Roman Belyakov

The evening performance brings my personal favourite: Viktoria Tereshkina, one of the greatest ballerinas of our time. Tereshkina’s dancing possesses a rare combination of power, majesty, and sculptural clarity. Her Anna is not fragile; she is formidable, proud, and tragically human. Few dancers can command the stage with such authority, and the drama of Shchedrin’s score seems to radiate through her entire presence. With Deryabin and Belyakov as her partners, this will surely be a performance of thrilling intensity.

November 17 – 19:00

Featuring: Ekaterina Kondaurova, Yevgeny Deryabin, Konstantin Zverev

Ekaterina Kondaurova—intellectual, magnetic, sculptural—approaches Anna with a psychological depth that transforms every gesture into narrative. She is a dancer who thinks in chiaroscuro, in contrasts of light and shade, making her interpretation uniquely compelling. The partnership with Deryabin and Zverev enhances the dramatic tension that lies at the heart of the ballet.

November 19 – 19:00

Featuring: Renata Shakirova, Islom Baimuradov, Alexander Sergeev

Renata Shakirova brings a different energy: youthful, vibrant, impulsive. Her attack, speed, and fearless theatricality make her Anna a portrait of emotional turbulence. This performance, with Baimuradov and Sergeev, will surely highlight the ballet’s more visceral dimensions.

Four interpretations. Four visions of womanhood, passion, vulnerability, and fate. Each cast illuminates a different facet of Shchedrin’s masterpiece. And together they create a living tribute to Plisetskaya, who shaped this ballet with her spirit long before it reached the stage.


20 November — “Maya Plisetskaya: A Portrait of an Era”

Dedicated to the 100th birthday of Maya Plisetskaya

The week culminates in a grand gala—a celebration not only of a ballerina, but of a century she helped define.
The cast reads like a gathering of stars:

Viktoria Tereshkina
Renata Shakirova
Nadezhda Batoeva
Oxana Skorik
Ekaterina Kondaurova
Maria Iliushkina
Yana Peneva
Elena Yevseyeva
Daria Kulikova
Valeria Kuznetsova
Anastasia Yaromenko

…and many of the company’s leading men, joined by the Mariinsky Orchestra under Arseny Shuplyakov.

The program of the first part has not yet been revealed, but one jewel has already been announced: Carmen Suite, the masterpiece created expressly for Plisetskaya.
It is impossible to overstate the importance of this ballet. It is not simply a role she danced—it is a role she created, shaped, and infused with her own rebellious artistic DNA. Its return to the stage on the evening of her centenary is profoundly symbolic.

This gala is not an ordinary celebration. It is a portrait not only of Plisetskaya’s artistry but of the artistic lineage she helped forge—a lineage now embodied by the brilliant dancers who will pay tribute to her.


A City Transformed: St. Petersburg at the Center of the Dance World

For these days, St. Petersburg becomes a sanctuary of memory and movement, a place where the past and present converse through choreography. Maya Plisetskaya’s legacy is not a museum artifact; it lives in the bodies and minds of the dancers who take the stage today.

To witness Tereshkina, Novikova, and Shakirova—three of my most beloved ballerinas—perform during this commemorative week is a privilege. They represent the continuation of a tradition shaped by the audacity and brilliance of Plisetskaya herself. Their artistry, each distinct, forms a constellation that honors the legacy of the ballerina who made the impossible seem not only possible, but inevitable.

These performances are not merely evenings at the theatre—they are chapters of ballet history, unfolding in real time.

As we enter this week of remembrance and celebration, one thing becomes clear:
Maya Plisetskaya did not simply dance ballet; she expanded its universe.
And in St. Petersburg, that universe shines brighter than ever.

London - Perspectives: Balanchine, Marston, Peck - Nov/Dec 2025


Triple Bill 

There are few experiences as moving and unforgettable as an evening at the Royal Opera House — the lights dim, the orchestra begins to play, and the stage opens to reveal a world of beauty, grace, and emotion. On 15 November 2025, the curtain will rise on Perspectives, a dazzling triple bill that promises to be one of the highlights of the London ballet season.

This special program brings together three very different choreographic voices — George Balanchine, Cathy Marston, and Justin Peck — spanning nearly a century of ballet history and innovation. It is a celebration of style, creativity, and musicality, performed by the incomparable artists of The Royal Ballet.


Serenade — George Balanchine

Choreography: George Balanchine
Costume Design: Karinska
Lighting Design: John B. Read
Conducted by: Martin Georgiev

Cast:

Balanchine’s Serenade is one of the great landmarks of 20th-century ballet — a lyrical masterpiece that embodies the essence of the neoclassical style. Created in 1935 on the students of the newly founded School of American Ballet, Serenade was the first ballet Balanchine made in America. Its haunting opening tableau — a group of women bathed in blue light, arms raised toward the sky — has become one of the most iconic images in dance history.

Set to Tchaikovsky’s Serenade for Strings, the ballet moves between dream and reality, order and freedom, the individual and the ensemble. Balanchine famously incorporated the dancers’ real-life mistakes and mishaps into the choreography, turning accident into art — a perfect example of his creative genius.

For many of us, it will be a special joy to see Fumi Kaneko in this ballet. Now a Principal Dancer with The Royal Ballet, she combines refined classicism with extraordinary depth and soul. I still remember seeing her on stage , another november, it was exactly 15th november 2019 — as Aurora in The Sleeping Beauty alongside Reece Clarke. That night, they were unexpectedly replacing Akane Takada and Steven McRae, and what a revelation it was. Both Kaneko and Clarke would soon rise to become Principal Dancers. To witness her again now, leading Serenade, feels like a beautiful circle completed. Fumi kaneko will be surrounded by the great dancers Ryoichi Hirano, Vadim Muntagirov, Melissa  Hamilton and Leticia Dias. A first ballet that will be unforgettable with these stars on stage.


New WorkWorld Premiere by Cathy Marston

Choreography: Cathy Marston
Conducted by: Martin Georgiev
Solo Violin: Vasko Vassilev
Orchestra: Orchestra of the Royal Opera House

Cast:

Few choreographers today create ballets with such deep narrative resonance as Cathy Marston. Her works, often inspired by literature and human emotion, explore the complexities of relationships, identity, and transformation. For this world premiere, Marston turns to the evocative music of Benjamin Britten, crafting a new piece that promises to be both intellectually rich and emotionally powerful.

The cast alone makes this ballet one of the season’s most anticipated moments: Melissa Hamilton, an artist admired for her strength, sensitivity, and sculptural elegance, shares the stage with three of the company’s leading men — William Bracewell, Matthew Ball, and Nicol Edmonds. A dream ensemble, united in a new creation that will undoubtedly push the boundaries of storytelling through movement.

I personally cannot wait to see Hamilton in this work. She has such a compelling stage presence — thoughtful, passionate, yet understated. To see her alongside these remarkable partners will surely be a highlight of the evening.


Everywhere We Go — Justin Peck

Choreography: Justin Peck
Conducted by: Martin Georgiev
Orchestra: Orchestra of the Royal Opera House

Cast:

The evening will conclude with a burst of modern vitality — Justin Peck’s Everywhere We Go, marking the first time a Peck ballet has been performed by The Royal Ballet. Peck, the Resident Choreographer of New York City Ballet, is celebrated for his dynamic movement language and inventive use of ensemble. Set to Sufjan Stevens’ rhythmic and cinematic score, Everywhere We Go radiates energy, optimism, and youthful brilliance.

Leading the cast are Marianela Nuñez and Reece Clarke — a pairing that promises magic. Nuñez, one of the greatest ballerinas of our time, continues to astonish with her virtuosity, musicality, and emotional warmth. Clarke, now at the peak of his artistry, has enjoyed a remarkable year — triumphing as Aminta at the Metropolitan Opera in New York and receiving standing ovations in Giselle at the Palais Garnier in Paris, dancing alongside the Paris Opera Ballet étoile Hannah O’Neill. Soon, they will reunite in London for another Giselle, and it feels as though we are witnessing a golden moment in his career. With such a stellar program, this triple bill will undoubtedly be one of the jewels of the 2025–2026 Royal Ballet season. From Balanchine’s timeless classic to Marston’s poetic new creation and Peck’s contemporary dynamism, the evening will showcase the full breadth of The Royal Ballet’s artistry.

For anyone in London — or planning a visit to the capital — this performance on 15 November 2025 are a must , and the following evenings with equally fabulous casts, they are all great, I would see them all. 

Each performance offers a unique cast and combination of Royal Ballet stars — from the radiant Marianela Nuñez and Fumi Kaneko, to the charismatic Reece Clarke, Melissa Hamilton, and Akane Takada.

Across these dates, audiences will experience the breadth of the company’s artistry: Balanchine’s luminous Serenade, Marston’s evocative world premiere, and Peck’s exhilarating Everywhere We Go — the latter performed for the very first time by The Royal Ballet. I will do everything I can to attend the opening night — and to witness once again the luminous artistry of Fumi Kaneko, Melissa Hamilton, Reece Clarke, and Marianela Nuñez. It will surely be an evening to remember, full of elegance, emotion, and the magic that only ballet can bring.

Saturday, 15 November 2025 — 1:00 PM

Serenade
Sarah Lamb, Ryoichi Hirano, Nicol Edmonds, Yuhui Choe, Mariko M. Sasaki

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Saturday, 15 November 2025 — 7:00 PM

Serenade
Annette Buvoli, Reece Clarke, Sae Maeda, Claire Calvert, Téo Dubreuil

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Tuesday, 18 November 2025 — 7:30 PM

Serenade
Marianela Nuñez, Matthew Ball, Sae Maeda, Claire Calvert, Joonhyuk Jun

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Thursday, 20 November 2025 — 7:30 PM

Serenade
Sarah Lamb, Ryoichi Hirano, Leticia Dias, Nicol Edmonds, Yuhui Choe

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Marianela Nuñez, Reece Clarke, Mayara Magri, Luca Acri, Mariko M. Sasaki


Tuesday, 25 November 2025 — 7:30 PM

Serenade
Annette Buvoli, Mayara Magri, Reece Clarke, Claire Calvert, Téo Dubreuil

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Friday, 28 November 2025 — 7:30 PM

Serenade
Fumi Kaneko, Mayara Magri, Ryoichi Hirano, Vadim Muntagirov, Melissa Hamilton

New Cathy Marston
Akane Takada, Leo Dixon, Francisco Serrano, Harris Bell, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda


Tuesday, 2 December 2025 — 7:30 PM

Serenade
Marianela Nuñez, Matthew Ball, Claire Calvert, Mariko M. Sasaki, Joonhyuk Jun

New Cathy Marston
Melissa Hamilton, William Bracewell, Matthew Ball, Nicol Edmonds, Vasko Vassilev

Everywhere We Go
Annette Buvoli, Harris Bell, Leticia Dias, Joseph Sissens, Sae Maeda

18th november 2025

In just a couple of hours, the curtain will rise again at the Royal Opera House in Covent Garden for another wonderful performance of this triple bill. Opening night was a great success, as have been all the subsequent shows, featuring the stars of The Royal Ballet.

Today, 18 November, we’ll see the magnificent Marianela Núñez and a superb cast. And on the 20th, we’ll see Sarah Lamb, Yuhui Choe, Leticia Dias, Ryoichi Hirano, and Nicol Edmonds live on stage—my favourite dancers from the company. Sarah Lamb couldn’t attend the Barcelona ballet gala, but Ryoichi Hirano did, earning memorable acclaim. Now both will shine again on the 20th, in a truly luxurious cast.

The remaining performances are just as spectacular: all the casts are genuinely dreamlike.

Monday, November 17, 2025

Zurich - La forza del destino - Nov / Dec 2025

🌟 UN TRIOMPHE DU DESTIN À ZURICH 🌟

Anna Netrebko revient dans le rôle de la rayonnante Leonora de La forza del destino de Verdi.

Zurich se prépare à un événement lyrique d'une grandeur inoubliable : Anna Netrebko, l'une des sopranos les plus célèbres au monde, reprend le rôle bouleversant de Donna Leonora. Après ses triomphes retentissants au Teatro alla Scala de Milan et ses prestations acclamées au Royal Opera House de Londres, Netrebko apporte désormais son art unique à l'Opéra de Zurich. Sa voix d'une rare beauté, d'une richesse incomparable et d'une profondeur émotionnelle exceptionnelle fait d'elle l'interprète idéale de l'héroïne tourmentée de Verdi.

Sa Leonora n'est pas seulement chantée, elle est vécue. À chaque pianissimo à couper le souffle, à chaque envolée mélodique, Netrebko transporte le public au cœur même du drame verdien, capturant la fragilité, la passion et la force spirituelle qui définissent ce personnage remarquable. Zurich vivra des soirées inoubliables, des soirées qui s'inscriront dans l'histoire de l'opéra.

Après le succès retentissant d'Anna Netrebko, dont la dernière représentation a lieu aujourd'hui, 18 novembre, la soprano russe Elena Guseva prend la relève. Née à Kourgan, dans le sud-ouest de la Sibérie, et diplômée du Conservatoire de Moscou, ses nombreux succès dans des rôles comme Aida et bien d'autres font d'elle la soprano verdienne idéale pour La forza del destino. Nous avons beaucoup apprécié Anna Netrebko, mais les représentations suivantes promettent d'être fabuleuses avec cette voix impressionnante. Elena Guseva chantera les 21, 26 et 29 novembre, et reprendra le rôle principal les 17 et 21 décembre. Voici une occasion unique d'apprécier cette voix russe fabuleuse qui a conquis le public du monde entier, à l'instar de sa compatriote, la superstar Anna Netrebko.

Mais le triomphe ne se limite pas à une seule étoile. Cette production brille par une distribution exceptionnelle, où chacun apporte intensité, précision et présence au vaste univers verdien du destin, de la vengeance et de la rédemption :

Yusif Eyvazov (2, 7, 12, 15, 18 nov.) et le ténor italien Riccardo Massi (21, 26, 29 nov. / 17, 21 déc.) se partagent le rôle de Don Alvaro, insufflant à ce personnage une fougue vocale héroïque et une puissance émotionnelle intense, tandis que l'amant tragique oscille entre passion et persécution. Deux interprétations du malheureux Don Alvaro qui nous briseront le cœur et nous feront vibrer au rythme de leurs voix fabuleuses, dans l'un des rôles les plus difficiles pour ténor, si ce n'est le plus difficile.

George Petean impose une autorité et une profondeur dramatique exceptionnelles dans le rôle de Don Carlo di Vargas, capturant la force implacable de la vengeance qui anime l'opéra.

✨ Michele Pertusi confère sa profonde noblesse et son exceptionnelle gravité vocale au Padre Guardiano, pilier spirituel dans ce monde chaotique.

✨ Annalisa Stroppa embrase la scène dans le rôle de Preziosilla, insufflant aux scènes de guerre et de prophétie de Verdi une énergie et un éclat irrésistibles.

Stanislav Vorobyov offre une intensité digne dans le rôle du Marquis de Calatrava, mettant en branle le destin tragique de l'opéra.

Le tout est soutenu avec une excellence saisissante par le Chœur de l'Opéra de Zurich, les Choristes Extra, le Chœur d'Enfants, l'Orchestre de l'Opéra de Zurich et le Statistenverein, sous la direction musicale inspirée de Gianandrea Noseda, dont la maîtrise de Verdi illumine chaque page de la partition.

La metteuse en scène Valentina Carrasco et son équipe créative visionnaire — Carles Berga (décors), Mariangela Mazzeo (scénographe associée), Silvia Aymonino (costumes), Massimiliano Volpini (vidéo), Fabrice Kébour (lumières) et le dramaturge Fabio Dietsche — proposent une mise en scène dramatique qui confronte le destin et la guerre à une résonance contemporaine saisissante.

Il ne s'agit pas d'une simple production. C'est un événement marquant.

Une réunion exceptionnelle de voix de renommée mondiale, d'un art visionnaire et de la musique magistrale de Verdi — sublimée par la présence incomparable d'Anna Netrebko, une superstar dont la voix continue de captiver, d'inspirer et de marquer une époque.

Zurich se souviendra longtemps de ces représentations.

Le destin n'a jamais paru aussi puissant.

🌟 EIN TRIUMPH DES SCHICKSALS IN ZÜRICH 🌟

Anna Netrebko kehrt als strahlende Leonora in Verdis monumentaler Oper „La forza del destino“ zurück

Zürich bereitet sich auf ein Opernereignis von unvergesslicher Größe vor: Anna Netrebko, eine der gefeiertsten Sopranistinnen der Welt, schlüpft erneut in die ergreifende Rolle der Donna Leonora. Nach ihren umjubelten Auftritten an der Mailänder Scala und ihren gefeierten Darbietungen am Royal Opera House in London bringt Netrebko nun ihre einzigartige Kunst an das Opernhaus Zürich – eine Stimme von seltener Schönheit, unverwechselbarem Reichtum und emotionaler Tiefe, die sie zur idealen Interpretin von Verdis gequälter Heldin macht.

Ihre Leonora wird nicht nur gesungen – sie wird gelebt. Mit jedem atemberaubenden Pianissimo, jedem himmelwärts schwingenden Melodiebogen entführt Netrebko das Publikum in das pulsierende Herz von Verdis Drama und fängt die Zerbrechlichkeit, die Leidenschaft und die spirituelle Stärke ein, die diese bemerkenswerte Figur auszeichnen. Zürich wird Abende erleben, die noch lange nach dem Fall des Vorhangs nachhallen – Abende, die in die Geschichte des Opernhauses eingehen werden.

Nach Anna Netrebkos überwältigendem Erfolg, der mit ihrer letzten Vorstellung heute, am 18. November, seinen Höhepunkt findet, übernimmt die große russische Sopranistin Elena Guseva. Geboren in Kurgan, Südwest-Sibirien, und Absolventin des Moskauer Konservatoriums, ist sie mit ihren großen Erfolgen in Rollen wie Aida und vielen anderen die ideale Verdi-Sopranistin für „La forza del destiny“. Wir haben Anna Netrebko sehr genossen, aber die folgenden Vorstellungen versprechen mit dieser beeindruckenden Stimme ein fabelhaftes Erlebnis zu werden. Elena Guseva singt am 21., 26. und 29. November und kehrt am 17. und 21. Dezember als Protagonistin der Oper zurück. Dies ist eine großartige Gelegenheit, diese fabelhafte russische Stimme zu genießen, die das Publikum weltweit verzaubert hat, genau wie ihre Landsfrau, Superstar Anna Netrebko.

Doch der Triumph reicht weit über einen einzelnen Star hinaus. Diese Produktion glänzt mit einer herausragenden Besetzung, die Verdis gewaltiger Welt voller Schicksal, Rache und Erlösung mit Intensität, Präzision und Präsenz zum Leben erweckt:

Yusif Eyvazov (2., 7., 12., 15., 18. November) und der italienische Tenor Riccardo Massi (21., 26., 29. November / 17., 21. Dezember) teilen sich die Rolle des Don Alvaro und liefern sowohl heroische stimmliche Feuerkraft als auch emotionale Wucht, während der vom Schicksal geplagte Liebende zwischen Leidenschaft und Verfolgung hin- und hergerissen ist. Zwei Interpretationen des tragischen Don Alvaro, die uns das Herz brechen und uns mit ihren fabelhaften Stimmen in einer der schwierigsten, wenn nicht gar der schwierigsten Tenorpartien überhaupt, erzittern lassen werden.

✨ George Petean verkörpert Don Carlo di Vargas mit beeindruckender Autorität und dramatischer Wucht und fängt die unerbittliche Kraft der Rache ein, die die Oper vorantreibt.

✨ Michele Pertusi verleiht Padre Guardiano, dem spirituellen Anker in dieser chaotischen Welt, seine tiefe Würde und außergewöhnliche stimmliche Gravitas.

✨ Annalisa Stroppa entfacht als Preziosilla ein Feuerwerk auf der Bühne und erfüllt Verdis Kriegs- und Prophezeiungsszenen mit unwiderstehlicher Energie und Brillanz.

✨ Stanislav Vorobyov verkörpert den Marchese di Calatrava mit würdevoller Intensität und setzt so das tragische Schicksal der Oper in Gang.

Unterstützt wird das Ganze von der mitreißenden Exzellenz des Chors der Oper Zürich, der Extra Choristers, des Kinderchors, des Orchesters des Opernhauses Zürich und des Statistenvereins unter der inspirierten musikalischen Leitung von Gianandrea Noseda, dessen Verdi-Kenntnisse jede Seite der Partitur erhellen.

Regisseurin Valentina Carrasco und ihr visionäres Kreativteam – Carles Berga (Bühnenbild), Mariangela Mazzeo (Assistenz-Bühnenbild), Silvia Aymonino (Kostüme), Massimiliano Volpini (Video), Fabrice Kébour (Licht) und der Dramatiker Fabio Dietsche – präsentieren eine dramatische Inszenierung, die Schicksal und Krieg mit eindringlicher, moderner Relevanz thematisiert.

Dies ist nicht einfach nur eine Produktion. Es ist ein Meilenstein. Eine seltene Zusammenkunft von Weltklasse-Stimmen, visionärer Kunst und Verdis erhabener Musik – gekrönt von der unvergleichlichen Präsenz von Anna Netrebko, einem Superstar, dessen Stimme bis heute fesselt, inspiriert und eine Ära prägt. Zürich wird diese Auftritte noch lange in Erinnerung behalten. Nie zuvor klang das Schicksal so kraftvoll.

🌟 A TRIUMPH OF DESTINY IN ZURICH 🌟

Anna Netrebko returns as the radiant Leonora in Verdi’s monumental La forza del destino

Zurich is preparing for an operatic event of unforgettable grandeur as Anna Netrebko, one of the world’s most celebrated sopranos, steps once again into the soul-shattering role of Donna Leonora. After her resounding triumphs at Teatro alla Scala in Milan  and her acclaimed performances in The Royal Opera House in London, Netrebko now brings her unique artistry to the Zurich Opera House — a voice of rare beauty, unmistakable richness, and emotional depth that makes her the ideal interpreter of Verdi’s tormented heroine.

Her Leonora is not merely sung — it is lived. With every breathtaking pianissimo, every soaring arc of melody, Netrebko transports audiences into the beating heart of Verdi’s drama, capturing the fragility, passion, and spiritual endurance that define this remarkable character. Zurich will experience evenings that linger long after the curtain falls — evenings that become part of the opera house’s history.

After Anna Netrebko's resounding success, which concludes with her final performance today, November 18th, the great Russian soprano Elena Guseva takes over. Born in Kurgan, southwest Siberia, and a graduate of the Moscow Conservatory, her great successes in roles like Aida and many others make her the ideal Verdi soprano for La forza del destino. We have thoroughly enjoyed Anna Netrebko, but the following performances promise to be fabulous with this impressive voice. Elena Guseva will sing on November 21st, 26th, and 29th, and will return as the opera's protagonist on December 17th and 21st. This is a great opportunity to enjoy this fabulous Russian voice that has captivated audiences worldwide, just like her compatriot, the superstar Anna Netrebko.

But the triumph extends beyond a single star. This production shines with a stellar cast, each bringing intensity, precision, and presence to Verdi’s vast world of destiny, vengeance, and redemption:

Yusif Eyvazov (2, 7, 12, 15, 18 Nov) and the italian tenor Riccardo Massi (21, 26, 29 Nov / 17, 21 Dec) share the role of Don Alvaro, delivering both heroic vocal fire and emotional power as the fated lover torn between passion and persecution.Two interpretations of the unfortunate Don Alvaro that will break our hearts but make us vibrate with their fabulous voices in one of the most difficult roles for tenor, if not the most difficult.

George Petean brings commanding authority and dramatic weight as Don Carlo di Vargas, capturing the relentless force of vengeance that propels the opera forward.

Michele Pertusi lends his profound nobility and exceptional vocal gravitas to Padre Guardiano, the spiritual anchor in this world of chaos.

Annalisa Stroppa ignites the stage as Preziosilla, infusing Verdi’s scenes of war and prophecy with irresistible energy and brilliance.

Stanislav Vorobyov offers dignified intensity as Il Marchese di Calatrava, setting the opera’s tragic destiny in motion.

All supported with stirring excellence by the Chorus of the Zurich Opera, the Extra Choristers, the Children’s Choir, the Orchestra of the Zurich Opera House, and the Statistenverein, under the inspired musical direction of Gianandrea Noseda, whose mastery of Verdi illuminates every page of the score.

Director Valentina Carrasco and her visionary creative team — Carles Berga (stage design), Mariangela Mazzeo (associate set designer), Silvia Aymonino (costumes), Massimiliano Volpini (video), Fabrice Kébour (lighting), and dramaturg Fabio Dietsche — bring a dramatic staging that confronts fate and war with striking modern resonance.


This is not merely a production. It is a milestone.
A rare gathering of world-class voices, visionary artistry, and Verdi’s towering music — crowned by the incomparable presence of Anna Netrebko, a superstar whose voice continues to captivate, inspire, and define an era.

Zurich will remember these performances for a very long time.
Destiny has never sounded so powerful.

Sunday, November 16, 2025

Moscow - The Bright Stream - 22/23 Nov 2025

 

A Radiant Celebration of Shostakovich: The Bright Stream Returns to the Bolshoi

This November, the Bolshoi Theatre invites us into the vibrant, whimsical, and deeply human world of Dmitri Shostakovich’s ballet The Bright Stream, Op. 39—one of the composer’s most charming and ingenious creations. A ballet filled with humor, heart, lyrical beauty, and symphonic brilliance, The Bright Stream remains a luminous testament to Shostakovich’s gift for storytelling through music.

First premiered in 1935, this ballet continues to captivate audiences with its irresistible blend of comedy and sophistication, its sweeping melodies, and its playful traditions of masquerade, mistaken identity, and theatrical surprise. The choreography—clever, character-driven, and full of joyful invention—showcases the expressive power of classical dance at its finest. Witty, warm, and wonderfully alive, it is a ballet that leaves the audience smiling long after the final curtain falls.

The Bolshoi’s orchestra breathes vibrant life into Shostakovich’s extraordinary score, a tapestry of brilliant colors, dances, lyrical passages, and sparkling orchestral textures. From delightful waltzes and joyous galops to tender adagios and vivid character moments, the music is a masterpiece in its own right—one that elevates every gesture, every step, every moment on stage.

This season’s performances promise to be truly exceptional. With some of the Bolshoi’s most beloved stars alternating in the leading roles—many of them audience favorites across Russia and around the world—each cast brings its own magic, personality, and brilliance to the story. Below is the complete schedule, featuring all casts for this remarkable series of performances:


🌾 November 22 — Matinée (12:00)

A beautifully balanced and radiant cast opens the run:
Ballerina: Kristina Kretova
Ballet Dancer: Artem Ovcharenko

A matinée full of elegance and charm, highlighted by the refined artistry of Kristina Kretova and the celebrated brilliance of Artem Ovcharenko.


🌙 November 22 — Evening Performance (19:00)

A stellar, galactic lineup of Russian ballet stars lights up the Bolshoi stage:
Ballet Dancer: Vladislav Lantratov

Anna Nikulina—who recently triumphed in The Firebird—returns to enchant audiences once again, joined by Eleonora Sevenard’s luminous stage presence and the dramatic power of Denis Rodkin and Vladislav Lantratov. An evening performance with all the excitement of a gala.


🌞 November 23 — Matinée (12:00)

Featuring one of the Bolshoi’s most promising rising stars:
Ballet Dancer: Dmitry Vyskubenko

Maria Koshkaryova, whose elegance and refinement continue to enchant audiences, leads this matinée full of youthful energy and beautiful character interpretation.


🌟 November 23 — Second Performance

A dazzling performance featuring some of the Bolshoi’s most charismatic artists:
Ballet Dancer: Artem Ovcharenko

The presence of Artem Ovcharenko—one of the Bolshoi’s most admired dancers, beloved for his noble style and impeccable technique—adds brilliance to this performance. Maria Vinogradova and Ivan Vasilev bring fire, musicality, and virtuosity to their roles, while Anastasia Stashkevich’s charm and theatrical clarity promise a truly unforgettable interpretation of Zina.


Across these performances, audiences will experience the full richness of the ballet:
✨ the delightful ensembles full of energy and character
✨ enchanting pas de deux that combine elegance with comedy
✨ virtuosic variations filled with charm and technical brilliance
✨ and Shostakovich’s insurmountable music, a score overflowing with joy, color, and emotional depth

Celebrated for its triumphant success in Manhattan during the Bolshoi’s New York tour, The Bright Stream returns now to Moscow ready to shine once again—maybe even brighter than before.

This is a ballet of pure entertainment, sparkling artistry, and theatrical delight. A celebration of dance, music, and storytelling that warms the heart and lifts the spirit.

🌟 A masterpiece not to be missed.
Whether it is your first encounter with Shostakovich’s comic ballet or a long-awaited return, these performances promise unforgettable magic.

Moscow - The Firebird - 14/16 Nov 2025

The Bolshoi Ballet in Moscow offers audiences an unforgettable artistic celebration this weekend
, presenting a magnificent triple bill that brings together three of Michel Fokine’s historic masterpieces: Schéhérazade, The Firebird, and Petrouchka. These works, which form part of the legendary Ballets Russes legacy, return to the Bolshoi stage with a succession of extraordinary casts, each performance promising brilliance, drama, and true Russian grandeur.

The opening performances have already set the tone. On 15 November, today,  the Bolshoi presented Schéhérazade with the luminous Anna Nikulina, who recently enjoyed a resounding triumph in Aurora , today another triumph in The Firebird. Conducted by none other than Valery Gergiev, the performance was a true event, marrying dramatic orchestral power with the sensuality and opulence of Fokine’s iconic choreography. Evenings such as these confirm the Bolshoi as a house of extraordinary talent and artistic depth.

Tomorrow, on 16 November, the theatre presents two performances of this triple bill — one at 12:00 and one at 18:00 — each with meticulously assembled casts featuring both celebrated stars and radiant rising artists.


🌟 SCHÉHÉRAZADE – Sensuality and Oriental Splendor

Based on tales from The Arabian Nights, Schéhérazade is one of Fokine’s most evocative creations. With Rimsky-Korsakov’s richly colored score and Léon Bakst’s legendary original designs, the ballet unfolds in an atmosphere of intense drama, seduction, and emotional turmoil.


16 November – Evening Performance (18:00)

A cast full of expressive power and dramatic presence:

Already admired for her sensational Kitri on 28 October, Koshkaryova brings passion, fluidity, and theatrical fire to the role of Zobeide. Her performances are vividly memorable and tomorrow’s is highly anticipated.

Golden SlaveEgor Gerashchenko
A dancer of enormous physical charisma with a powerful stage presence.

ShahriyarNikita Elikarov
ShahzemanIvan Alexeyev
Head EunuchAlexei Matrakhov

Odalisques:


16 November – Midday Performance (12:00)

A breathtaking cast led by two of the Bolshoi’s most adored stars:

One of the most beloved ballerinas of the company, famously a peerless Aurora and Raymonda, a ballerina of exquisite poise, acting finesse, and technical mastery.

Golden SlaveVladislav Lantratov
Renowned internationally for his dramatic intensity, noble presence, and extraordinary versatility — a perfect match for the emotional world of Schéhérazade. The first time I saw him was in La Bayadère with Maria Alexandrova, and shortly before or after, I don't remember anymore, with Anna Nikulina and Ekaterina Shipulina and Denis Rodkin in Raymonda, and the great Maria Alexandrova, a galactic cast!!! 

ShahriyarYuri Ostrovsky
ShahzemanKamil Yangurazov


🔥 THE FIREBIRD – Magic, Mystery, and Myth

Stravinsky’s The Firebird remains one of Fokine’s greatest triumphs — a ballet steeped in fantasy and Slavic mythology. With its vibrant score and striking imagery, it offers unforgettable roles for dramatic ballerinas and hero-princes.

Already performed:

  • 14 NovemberElizaveta Kokoreva, the young and fabulous star of the company. 

  • 15 NovemberAnna Nikulina, a beloved Bolshoi principal, with Valery Gergiev conducting

Both performances reaffirmed the timeless allure of this work and highlighted the depth of talent within the company.


16 November – Midday Performance (12:00)

The FirebirdAlyona Kovalyova
A ballerina of pure lyricism, majestic lines, and a remarkable presence — ideal for this magical role.

Ivan TsarevichArtemy Belyakov
An elegant, noble dancer with superb classical refinement.

The Beautiful TsarevnaVasilisa Derendyaeva
KashcheiNikita Elikarov


16 November – Evening Performance (18:00)

The FirebirdYulia Stepanova
Known for her dramatic artistry and powerful technique, Stepanova brings a darker, more mysterious nuance to the Firebird. A performance to look forward to.

Ivan TsarevichDmitry Vyskubenko
The Beautiful TsarevnaAna Turazashvili
KashcheiStepan Gusarov


🎭 PETROUCHKA – Tragedy in the Fairground

Fokine’s Petrouchka is a powerful blend of pathos and folklore, following the heartbreaking tale of a puppet with a human soul. It requires dancers capable of deep dramatic engagement and expressive sensitivity.

On 14 November, the role of Petrouchka was interpreted by the great Vladislav Lantratov, partnered by Maria Vinogradova — a pairing that offered tremendous emotional impact and artistic unity.

On 15 November, Alexei Putintsev stepped into the role, dancing with Anastasia Stashkevich and Anton Savichev. Putintsev’s success was overwhelming. After his brilliant Basilio in Don Quixote on 29 October, with Anastasia Smirnova,  they danced so wonderfully . He partnered fantastically Anastasia Smirnova, that performance of 29th october will be memorable, many described as one of the finest Basilios in the world, not only in Moscow and Smirnova's Kitri was sensational . Today He got another triumph with his performance as Petrouchka conducted by Valery Gergiev . Critics alike now speak of him as the new star of the Bolshoi. His charisma, flawless technique, and dramatic instinct make him a dancer to follow very closely. We look forward to see him in Swan Lake or Sleeping Beauty, La Bayadère and of course, again as Basilio.


16 November – Midday Performance (12:00)

A beautiful performance featuring two gifted young artists:

PetrouchkaDaniil Potaptsev
BallerinaElizaveta Kokoreva
A pairing that promises freshness, elegance, and expressive sensitivity.


16 November – Evening Performance (18:00)

To close this extraordinary day:

PetrouchkaArtem Ovcharenko
A dancer of immense refinement and dramatic intelligence — always a pleasure to watch in roles requiring depth and emotional nuance.

BallerinaMaria Vinogradova
One of the Bolshoi’s most exquisite artists, known for her beauty of line, musicality, and theatrical warmth.


A Weekend to Remember at the Bolshoi Ballet

This succession of masterpieces by Michel Fokine, brought to life by casts of exceptional calibre, confirms yet again the vitality and brilliance of the Bolshoi Ballet. From the exotic passion of Schéhérazade, to the mythical radiance of The Firebird, and the poetic tragedy of Petrouchka, this weekend’s performances promise emotion, artistry, and unforgettable theatrical magic.

A true celebration of dance — and a gift for every ballet lover.