Showing posts with label Barcelona. Show all posts
Showing posts with label Barcelona. Show all posts

Friday, October 24, 2025

Barcelona - Ballet Gala - 9/10 nov 2025

 ✨ Gran Gala de Danza at the Liceu: From Petipa to Balanchine — A Night When the World Will Dance in Barcelona

There are nights when the art of ballet transcends the stage — when it becomes a pure act of love, memory, and celebration.
On November 9 and 10, 2025, the Gran Teatre del Liceu in Barcelona will open its golden curtains for such a night — or rather, two nights — that promise to remain forever in the memory of all who breathe the poetry of dance.

Under the title From Petipa to Balanchine, the Gran Gala de Danza will unite on the Liceu stage a constellation of stars — the kind of dazzling line-up that only happens once in a lifetime. From St. Petersburg to London, from New York to Seoul, from Paris to Houston, from Stuttgart to Barcelona itself, the greatest artists of our era will gather to honor ballet’s eternal flame.

This is not merely a gala. It is a celebration of legacy and renewal — a dialogue between generations, between classical perfection and the vibrant pulse of today’s dance world. The Ballet de Catalunya and the Symphony Orchestra of the Gran Teatre del Liceu, conducted by Andrea Quinn, will join forces under the artistic direction of Leo Sorribes to create a night where the world’s finest dancers will offer the most exquisite gift: beauty itself.


🌹 The Sacred Stage of the Liceu

Few theaters in the world can rival the majesty and history of the Gran Teatre del Liceu.
For over a century and a half, its stage has been a temple to music and dance — a space where Dame Margot Fonteyn, Rudolf Nureyev, Maya Plisetskaya, and so many others have cast their spells before enraptured audiences.

To see the Liceu once again transformed into a cathedral of ballet, illuminated by the radiance of a new generation, feels like witnessing time fold upon itself. The spirit of Fonteyn’s grace, of Nureyev’s fire, of the great Petipa himself, will surely hover over these two evenings, blessing the dancers who now inherit their mantle.


🌟 A Constellation of Stars 🌟 The Stars Who Will Illuminate the Night

Maria Khoreva — Mariinsky Ballet, St. Petersburg

The roster assembled for this Gala reads like a dream, each name carrying a story of devotion, artistry, and triumph.


Maria KhorevaMariinsky Ballet, St. Petersburg

The jewel of the Vaganova school, Maria Khoreva embodies the essence of Russian ballet: purity, precision, and musical intelligence. She will come to Barcelona shortly after dancing Giselle at the Mariinsky — a role that has become a reflection of her own artistry: fragile, spiritual, luminous. Watching Khoreva dance is like witnessing lace move to the rhythm of a heartbeat.


Sangeun LeeEnglish National Ballet

From Seoul to Dresden and now London, Sangeun Lee has traced a path of grace and quiet strength. Trained at the Sunhwa Arts Schools, she was a Soloist with the Universal Ballet and later Principal at the Semperoper Ballett Dresden, where her portrayals of Giselle and La Bayadère drew critical acclaim. Since joining the English National Ballet, her dancing radiates an effortless musicality that marries Asian lyricism with European finesse — a rare and delicate alchemy.


Gareth HawEnglish National Ballet

From Cardiff comes Gareth Haw, one of Britain’s brightest hopes. Educated at The Royal Ballet School, he ascended swiftly through the ranks of the Semperoper Ballett and, within two years of joining ENB, reached the pinnacle as Lead Principal. With noble line and poetic strength, Haw is the epitome of the modern danseur noble: intelligent, musical, and deeply human in his interpretations.


Chloe MisseldineAmerican Ballet Theatre (ABT)

New York’s newest star, Chloe Misseldine, is ballet’s whisper of the future. This summer, she captivated the audience of the Metropolitan Opera House with her sublime Swan Lake — a performance hailed as “a revelation of elegance and emotion.” Soon after dancing Nikiya in La Bayadère, she will cross the Atlantic to grace the Liceu stage. Her Odette was pure soul; her Nikiya, a breath of tragedy. In Barcelona, we will witness a young artist on the threshold of legend.


Joo Won AhnAmerican Ballet Theatre (ABT)

A perfect complement to Misseldine, the South Korean Joo Won Ahn combines heroic strength with lyrical artistry. Trained at the Korea National University of Arts, his Albrecht and Solor are marked by noble presence and spiritual depth. Ahn’s technique is crystalline, but it is his quiet humility and sincerity that make his dancing unforgettable.


Friedemann VogelStuttgart Ballet

There are artists who define an era. Friedemann Vogel is one of them. Celebrating twenty-five years with the Stuttgart Ballet, he remains the quintessence of classical elegance. Recipient of the prestigious John Cranko Prize, Vogel is a poet of movement — refined, introspective, timeless. His every gesture speaks of a life dedicated to beauty.


Olga Smirnova & Jacopo TissiDutch National Ballet

After their triumphant Romeo and Juliet in Amsterdam this October, the reunion of Olga Smirnova and Jacopo Tissi on the Liceu stage will be nothing short of magic. Smirnova, with her impeccable Vaganova training and emotional depth, is the embodiment of grace. Tissi, her Italian counterpart, dances with noble grandeur and lyrical power. Together they are a symphony of passion and restraint, a dialogue between two cultures united by the same language: the language of dance.


Sarah Lamb & Ryoichi HiranoThe Royal Ballet, London

Few partnerships possess the chemistry of Sarah Lamb and Ryoichi Hirano.
Lamb, one of the Royal Ballet’s most luminous Principals, first enchanted Barcelona as Aurora in The Sleeping Beauty during the company’s tour — a performance still remembered as one of the Liceu’s most sublime nights. Hirano, her frequent partner, is admired for his dignified artistry and profound musical understanding. Together they weave refinement and passion into the purest harmony.


Hannah O’NeillÉtoile, Paris Opera Ballet

The Paris Opera Ballet’s newly appointed étoile, Hannah O’Neill, is the embodiment of elegance reborn. Of Japanese and New Zealand heritage, she unites precision, fire, and serenity in equal measure. Her Giselle at the Palais Garnier was greeted with rapture, and her mastery of Balanchine’s repertory has made her one of the most versatile artists in Paris. In Barcelona, she will bring the luminous spirit of the French school — crystalline, intellectual, yet heartbreakingly beautiful. Hannah O’Neill has conquered audiences with her crystalline technique and inner radiance.

Her Giselle and Aurora at the Palais Garnier were revelations — classical yet alive with emotion. A true specialist in Balanchine, she will bring Parisian chic and Balanchinean brilliance to the Liceu.



Liudmila KonovalovaVienna State Ballet / Guest Artist

A true Russian jewel, Liudmila Konovalova, trained at the Bolshoi Academy, carries within her the legacy of Moscow’s great classical tradition. Her Odette is a vision of purity; her technique, impeccable. Before arriving in Barcelona, she will appear in London’s Nutcracker and later in Switzerland as Odette/Odile — a testament to her international acclaim. Her presence in the Gala will bring that unique fragrance of Russian romanticism to the evening.


Yuriko Kajiya & Connor WalshHouston Ballet

Yuriko Kajiya, born in Aichi, Japan, began her training at eight and became one of the first foreign students at the Shanghai Ballet School. A winner of the Prix de Lausanne, she personifies delicacy, clarity, and integrity. Her partner Connor Walsh, from Virginia, trained at the Kirov Academy and Harid Conservatory, joining Houston Ballet in 2004 and becoming Principal in 2007. Together, Kajiya and Walsh evoke the American romantic ideal — luminous, tender, technically flawless.


Tiler Peck & Roman MejiaNew York City Ballet

From the electric heart of Manhattan comes the most dynamic duo in American ballet today. Tiler Peck, a phenomenon of musical precision and joy, and Roman Mejia, her charismatic partner, will bring to Barcelona the kinetic brilliance of Balanchine’s New York. Their dancing is the embodiment of life itself — quicksilver energy, sparkling rhythm, and the courage to reinvent every phrase anew. Few duos radiate such joy and vitality. Tiler Peck, the radiant muse of Balanchine, and Roman Mejia, her fiery partner, will bring to Barcelona the very spirit of New York: spontaneous, musical, breathtakingly alive. Watching them is to witness rhythm itself made flesh.


Julian MacKayBavarian State Ballet

Julian MacKay’s story reads like a modern ballet fairytale. Born in Montana into a family of dancers, trained at the Bolshoi Academy, and polished at The Royal Ballet School, he bridges East and West with ease. Currently a Principal in Munich, he dances Albrecht in Giselle on this very stage in October — a role that marks both his Liceu debut and his artistic homecoming. His return for the Gala will feel like the continuation of a love story between dancer and theatre. Julian MacKay unites Russian discipline with American openness.

He is currently dancing Giselle as Albrecht at the Liceu — and will return for the Gala as both protagonist and promise. His elegance recalls a young Baryshnikov; his artistry, deeply his own.

Ellen Mäkelä, Paolo Calò & David García LucasBallet de Catalunya

The local spirit will shine through the dancers of the Ballet de Catalunya, led by Ellen Mäkelä and Paolo Calò, both First Soloists, and David García Lucas. They represent the vitality and excellence of Catalan dance today — artists of commitment, intelligence, and technical refinement. Their participation links this Gala not only to the great international houses but also to the creative heart of Catalonia itself.


🎶 The Orchestra and the Repertoire

The evening’s live music will be entrusted to the Symphony Orchestra of the Gran Teatre del Liceu, under the baton of Andrea Quinn, renowned for her elegant precision and sensitivity to dancers.
The repertoire will span centuries and continents: from Marius Petipa’s classical grandeur to George Balanchine’s neoclassical architecture, through Lev Ivanov, John Cranko, Kenneth MacMillan, Stanton Welch, Leo Sorribes, and Vincenzo Timpa.

The composers’ names — Tchaikovsky, Massenet, Yates, Bates, Puccini — form a musical bridge between worlds, uniting Russian romanticism, French lyricism, and modern soundscapes.


💫 A Dialogue Between Centuries

To witness From Petipa to Balanchine at the Liceu is to witness ballet’s living history unfold before our eyes. Each dancer brings not only their own artistry but the heritage of their school:
the noble strength of the Russian academies, the clarity of the French tradition, the lyricism of the British style, the vitality of American ballet, and the fresh spirit of Catalonia’s own company.

It will be an evening where styles converse, where past and present meet — where Petipa’s romantic ideals meet Balanchine’s crystalline abstraction.
In that dialogue lies the beauty of ballet itself: ever ancient, ever new.


🕊️ An Unforgettable Night Awaits

To gather such an extraordinary galaxy of talent in one theatre, for two nights only, is something that even the great stages of the world rarely achieve.
For those fortunate enough to be in Barcelona on November 9 or 10, this will be an opportunity to witness not just dance, but living history — to feel the continuity of the art that began with Petipa and still burns with Balanchine’s modern light.

The Liceu — that venerable stage that once welcomed Margot Fonteyn and now embraces the stars of a new century — will once again become the heart of the ballet world.
The chandeliers will shimmer, the orchestra will breathe, and as the curtains rise, time itself will seem to pause.

Because ballet, in its purest form, is not merely an art.
It is the promise of eternity made visible — and on those nights, eternity will dance in Barcelona.


✨ A Dream for Every Ballet Lover

There are moments when the art of ballet transcends the stage — when it becomes a language of the soul, a mirror of beauty itself.
This November, that moment will happen in Barcelona.

On November 9 and 10, 2025, the Gran Teatre del Liceu will open its legendary stage to a gathering of artists so extraordinary that the very idea feels like a dream.
The Gran Gala de Danza: From Petipa to Balanchine, organized by the Ballet de Catalunya and the Gran Teatre del Liceu, will unite an international constellation of stars — a living tribute to ballet’s timeless power and to the genius of those who shaped it.

For us who breathe ballet as if it were air, these two evenings will be sacred.


🩰 The Liceu: A Temple of Memory and Rebirth

Few theatres in the world possess the soul of the Gran Teatre del Liceu.
For more than 175 years, its stage has hosted the greatest legends of music and dance. Here, Margot Fonteyn once illuminated the air with her divine stillness; Rudolf Nureyev, Maya Plisetskaya, and Carla Fracci filled this house with their grace and fire.

To see the Liceu once again become a cathedral of classical dance — this time alive with the brilliance of a new generation — is to feel the continuity of art itself.
From Petipa’s Imperial elegance to Balanchine’s modern geometry, the history of ballet will unfold anew in the city that has always loved both passion and precision.


🎼 The Orchestra, the Repertoire, and the Dream

Under the direction of Andrea Quinn, the Symphony Orchestra of the Gran Teatre del Liceu will perform the music that has shaped ballet’s soul: Tchaikovsky, Massenet, Puccini, Yates, Bates — from romantic to neoclassical, from Petipa’s grandeur to Balanchine’s clarity.

Choreographies by Marius Petipa, George Balanchine, Lev Ivanov, John Cranko, Kenneth MacMillan, Stanton Welch, Leo Sorribes, and Vincenzo Timpa will offer a panorama of styles, eras, and emotions — a living map of ballet itself.


💫 A Dialogue Across Centuries

The Gala’s title — From Petipa to Balanchine — is not just a description; it is a journey.
It evokes the lineage of art: the 19th-century romantic ideal, the 20th-century modern reimagination, and the 21st-century renewal that these dancers embody.

Each artist carries the DNA of their school — Russian precision, French purity, British lyricism, American dynamism, Catalan passion — converging into one voice.
Together, they remind us that ballet, for all its discipline, is ultimately about emotion — about making time stop, if only for a heartbeat.


🕊️ The Promise of an Unforgettable Night

To see all these stars in one theatre, for two nights only, is a privilege few audiences in the world will ever know.
For those who enter the Liceu on November 9 or 10, it will be more than a performance — it will be an act of communion between past and future, between dancer and dreamer.

The chandeliers will shimmer, the orchestra will breathe, and when the curtain rises, we will feel the presence of Fonteyn, Nureyev, Petipa, Balanchine — and the pulse of a new century of dance.

Because ballet, at its heart, is not only movement.
It is memory, spirit, eternity.
And on those nights, eternity will dance again — in Barcelona.

Sunday, October 19, 2025

Barcelona - Giselle - Bayerische Staatsoper - October 2025

Giselle — The Most Romantic Ballet Returns to Barcelona
21 – 26 October 2025, Gran Teatre del Liceu

No ballet embodies the essence of romanticism more than Giselle — a work of haunting beauty, poetic grace, and timeless emotion. This October, after several years of absence, Giselle returns to the stage of the Gran Teatre del Liceu, performed by the Bayerisches Staatsballett, one of Europe’s most distinguished ballet companies. Under the inspired direction of Laurent Hilaire — himself a legendary star of the Paris Opera Ballet, celebrated for his work with Rudolf Nureyev’s great productions — the company has entered a new golden age.

What makes these five performances so thrilling is not just the ballet itself, but the constellation of ballerinas who may appear as Giselle.  The casting has been announced, though it may change ,every possible interpreter is a Principal Dancer of international stature, ensuring a level of excellence that few companies can match.

The opening night we'll see Ksenia Shevtsova, trained at the fabled Vaganova Academy, offers a Russian refinement and musicality that give her interpretations an ethereal, otherworldly quality. Laurretta Summerscales, a radiant British star, combines fearless technique with a vivid dramatic instinct — her Giselle would be both powerful and heartbreaking. Violetta Keller, newly appointed as Principal Dancer, represents the exciting next generation: fresh, expressive, and full of promise. Elisabeth Tonev, steeped in ballet from birth, brings an aristocratic line and crystalline technique that could shape an unforgettable portrayal.

Ksenia Shevtsova

(October 21 & 26, 2025)
A graduate of the Vaganova Ballet Academy in St. Petersburg, where she trained under Irina Sitnikova, Ksenia Shevtsova began her career as a soloist at the Stanislavsky and Nemirovich-Danchenko Theatre in Moscow, eventually becoming Principal Dancer. Winner of Best Ballerina at the Russian TV competition Bolshoi Ballet (2018) and of the Soul of Dance award (2019), she joined the Bavarian State Ballet in 2023 and was promoted to First Soloist in 2024.
Shevtsova is admired for her crystalline technique and deeply human interpretation. Her Giselle blends classical purity with heartfelt emotion—each arabesque seems to breathe with the pulse of her soul.


Violetta Keller

(October 23, 2025)
Trained at the Ballet School of the Vienna State Opera, Violetta Keller joined the Bavarian State Ballet, where she soon stood out for her elegance, musicality, and radiant stage presence. Her artistry combines romantic lyricism with an inner strength that gives depth to her characters.
In Giselle, Keller embodies innocence and dreamlike grace, yet also quiet resilience. Her dancing is a hymn to lightness, love, and the poetry of movement.


Elisabeth Tonev

(October 24, 2025)
Born in Germany, Elisabeth Tonev trained at the Heinz-Bosl-Stiftung, the ballet academy closely affiliated with the Bavarian State Ballet, and joined the company in 2016. With her artistic maturity and captivating stage presence, she has excelled in both classical and contemporary roles.
Her Giselle is passionate and sincere — a woman of heart and spirit who transforms sorrow into beauty. Tonev’s performance radiates strength, emotion, and truth.


Laurretta Summerscales

(October 25, 2025)
Educated at London’s Arts Educational School, Laurretta Summerscales began her professional career with the English National Ballet, where she rose to the rank of Principal Dancer before joining the Bavarian State Ballet in 2017. Internationally acclaimed for her virtuosity and emotional depth, she is one of Europe’s most beloved ballerinas.
Her Giselle is emotionally riveting—fragile and luminous, yet filled with an inner fire. Summerscales’ total commitment transforms each performance into a profoundly moving experience.

Each ballerina’s style is unique, yet all share the highest artistry, polished under Laurent Hilaire’s discerning eye. This is the magic of a great company: no matter which Giselle graces the stage, audiences will witness ballet at its finest.

The production itself is a jewel. Staged by Peter Wright after the legendary choreography of Coralli, Perrot, and Petipa, with designs by Peter Farmer, it honors the romantic tradition while breathing with contemporary vitality. The Orquestra Simfònica del Gran Teatre del Liceu, under Robertas Šervenikas, will illuminate the score of Adolphe Adam, enriched with music by Friedrich Burgmüller and Riccardo Drigo.

Fresh from triumph at the Munich Opera in July — where audiences saw Giselle danced with rare beauty by Ksenia Shevtsova alongside Julian MacKay, and by Maria Baranova with Jakob Feyferlik — the Bayerisches Staatsballett now brings its artistry to Barcelona. With five performances only, from 21 to 26 October, this will be an unmissable event for every ballet lover.

Tickets are already in high demand. Whether your Giselle is Shevtsova, Summerscales, Keller, or Tonev, one thing is certain: you will experience a masterpiece interpreted by stars of the highest order, guided by a master director who once lit up the Paris Opera stage himself.

Prepare to be moved, uplifted, and utterly spellbound. Giselle is returning to Barcelona — and she is more radiant than ever.

  • On October 21 and 26, Ksenia Shevtsova, trained at the legendary Vaganova Academy, opens and closes the run. Her Giselle, steeped in Russian lyricism and purity of line, will be seen twice, offering audiences two chances to discover her ethereal artistry. She will be partnered first by Jakob Feyferlik (Oct 21), noble and elegant as Albrecht, and then by the magnetic Julian MacKay (Oct 26).

  • On October 23, Violetta Keller takes the role, dancing alongside Julian MacKay, a dancer of striking presence and refined technique. Their pairing promises a fiery and heartfelt reading of the tragedy.

  • On October 24, it is Elisabeth Tonev who steps into Giselle’s world. With Jakob Feyferlik as her Albrecht and Florian Ulrich Sollfrank as Hilarion, her performance is expected to blend delicacy with deep dramatic power.

  • On October 25, the stage belongs to the British star Laurretta Summerscales, whose luminous artistry and emotional clarity have captivated audiences worldwide. She will be joined by the virtuosic Osiel Gouneo as Albrecht and Robin Strona as Hilarion — a trio that promises fireworks of passion and intensity.

Around them, the Albrechts — Feyferlik, MacKay, Gouneo — reveal the many shades of nobility, deception, and remorse. The Hilarions — Strona, Ivkin, Sollfrank — ground the story in earthy passion and tragic fate.


In these Barcelona performances, no two evenings will be the same. Every Giselle will give her soul, every Albrecht will reveal another face of desire and regret, every Hilarion will remind us of love unreturned.

What unites them all is the eternal truth of this ballet: that love, in its most fragile and exalted form, lives on — even beyond the grave.

«Жизель» — самый романтичный балет возвращается в Барселону

21–26 октября 2025 года, Театр Лисео

Giselle — An Enchanting Triumph in Barcelona ✨

Last night’s premiere of Giselle was nothing less than a revelation — a dazzling celebration of artistry, emotion, and the eternal magic of ballet. From the first delicate notes of the overture to the final, heart-stirring moments, the audience was transported into a world of poetry, passion, and spectral beauty.

The production, under the masterful direction of Peter Wright, pays homage to the timeless choreography of Coralli, Perrot, and Petipa, preserving its romantic purity while breathing into it a freshness and vitality that feels utterly alive. The orchestra, conducted with exquisite sensitivity, performed with shimmering color and lyrical grace — a soundscape as tender as it was thrilling. Every phrase, every crescendo seemed to pulse in harmony with the dancers’ breath.

The sets and costumes by Peter Farmer created an atmosphere of haunting loveliness — soft mists, moonlit forests, and rustic village scenes that shimmered with painterly detail. It was a feast for the senses, evoking the ethereal charm and melancholy spirit that define Giselle.

The dancers themselves were radiant — a company of extraordinary talent, commitment, and unity. Their precision was impeccable, yet never mechanical; their movements flowed like living music.

The leading roles, Giselle and Albrecht, were performed with transcendent beauty. Their chemistry illuminated the stage with emotion so palpable it drew tears from many in the audience. Every arabesque, every lift, every trembling gesture spoke of innocence, betrayal, forgiveness, and eternal love.

Cast – October 23

Choreography after: Coralli / Perrot / Petipa
Production and staging: Peter Wright
Libretto: Théophile Gautier & Jules-Henri Vernoy de Saint-Georges
Music: Adolphe Adam, Friedrich Burgmüller, Riccardo Drigo
Sets and Costumes: Peter Farmer
Musical Direction: Robertas Šervenikas

GiselleVioletta Keller
Albrecht, Duke of FranconiaJulian MacKay
HilarionKonstantin Ivkin
Berthe, Giselle’s MotherSéverine Ferrolier
Duke of CourlandFlorian Ulrich Sollfrank
Bathilde, his DaughterElisa Mestres
Wilfried, Albrecht’s ConfidantSeverin Brunhuber
Huntsmen LeaderZoltán Manó Beke
Pas de six Solo LadyZhanna Gubanova
Pas de six Solo GentlemanFrederick Stuckwisch
Myrtha, Queen of the WilisCarollina Bastos
MoynaMaria Chiara Bono
ZulmeMargarita Giselle

Each artist contributed a distinctive brilliance to this ensemble. From the powerful nobility of Julian MacKay’s Albrecht to the lyrical vulnerability of Violetta Keller’s Giselle, their partnership captured the very essence of romantic ballet. MacKay’s effortless technique and princely bearing were matched by the emotional transparency of Keller’s dancing — a Giselle of exquisite fragility and spiritual radiance.


The audience yesterday was also thrilled by Jakob Feyferlik, who, following his recent triumph at the Teatro Colón in Buenos Aires in Onegin with Marianela Núñez, offered in Barcelona an Albrecht of unforgettable depth and poetic intensity. His interpretation was noble, heartfelt, and technically impeccable — an ideal Albrecht, impossible to forget. he will dance again the 24th october with Elisabeth Tonev.

Florian Ulrich Sollfrank, fresh from his success on the 21st, once again enchants audiences with his refined artistry. His Albrecht glows with elegance, his entrechats are of breathtaking brilliance — he embodies the perfect romantic hero.

Upcoming Performances

On October 25, the luminous Laurretta Summerscales will take the stage as Giselle, bringing her radiant presence and deeply expressive artistry, alongside the incomparable Osiel Gouneo as Albrecht, whose charisma and strength add magnetic energy to every scene. Robin Strona will bring his passionate artistry to the role of Hilarion, adding dramatic power to the story’s unfolding tragedy.

Then, on October 26, audiences will be once again spellbound by the divine and mesmerizing Ksenia Shevtsova, whose portrayal of Giselle has already left a lasting impression. She dances with an otherworldly grace, combining ethereal technique with profound emotional truth. She will be partnered by Julian MacKay as Albrecht and Konstantin Ivkin as Hilarion — a trio of artists whose chemistry promises another night of pure enchantment.


Every performance of this Giselle is a unique jewel — a union of dance, music, and emotion that transcends time. It is a testament to the power of classical ballet to move, to transport, and to transform.

With its blend of romantic elegance, haunting beauty, and human truth, this production reminds us why Giselle remains one of the crown jewels of the repertoire. Under Peter Wright’s inspired vision and with this exceptional company of dancers, it becomes not merely a ballet, but a dream made visible — a living poem of love and redemption that will linger long in the hearts of all who witness it.

Ни один балет не воплощает в себе саму суть романтизма лучше, чем «Жизель» — произведение, сочетающее в себе завораживающую красоту, поэтическую грацию и неподвластные времени эмоции. В октябре этого года, после нескольких лет отсутствия, «Жизель» возвращается на сцену Театра Лисео в исполнении Баварского государственного балета, одной из самых выдающихся балетных компаний Европы. Под вдохновенным руководством Лорана Илера — легендарной звезды Парижской оперы, прославившейся работой в великих постановках Рудольфа Нуреева, — труппа вступила в новый золотой век.


Эти пять спектаклей делают захватывающими не только сам балет, но и созвездие балерин, которые могут выступить в роли Жизели. Хотя состав исполнителей пока не объявлен, каждая из возможных исполнительниц — это ведущий солист международного уровня, что гарантирует уровень мастерства, с которым могут сравниться лишь немногие труппы.


Мария Баранова, с её лучезарной фразировкой и безмятежным классицизмом, танцует с внутренней лирикой, идеально подходящей невинности и хрупкости Жизели. Ксения Шевцова, выпускница прославленной Академии имени Вагановой, обладает русской утончённостью и музыкальностью, которые придают её интерпретациям воздушность, потусторонность. Лауретта Саммерскейлс, блистательная британская звезда, сочетает бесстрашную технику с ярким драматическим чутьём — её Жизель была бы одновременно мощной и душераздирающей. Виолетта Келлер, недавно назначенная на пост прима-балерины, представляет собой яркое новое поколение: свежее, выразительное и многообещающее. Элизабет Тонев, с детства погруженная в балет, привносит аристократическую линию и кристальную технику, способную создать незабываемый образ.


Стиль каждой балерины уникален, но всех их объединяет высочайший артистизм, отточенный под проницательным взглядом Лорана Илера. В этом и заключается магия великой труппы: независимо от того, какая «Жизель» появится на сцене, зрители увидят балет в его лучшем проявлении.


Сама постановка — настоящая жемчужина. Поставленная Питером Райтом по легендарной хореографии Коралли, Перро и Петипа, в декорациях Питера Фармера, она чтит романтические традиции, одновременно вдыхая в себя современную энергию. Симфонический оркестр Большого театра Лисео под управлением Робертаса Шервеникаса исполнит партитуру «Адольфа Адана», дополненную музыкой Фридриха Бургмюллера и Риккардо Дриго.


После триумфа в Мюнхенской опере в июле, где зрители увидели «Жизель» в исполнении Ксении Шевцовой и Джулиана Маккая, а также Марии Барановой и Якоба Фейферлика, Баварский государственный балет теперь представляет своё искусство в Барселоне. Всего пять представлений, с 21 по 26 октября, станут незабываемым событием для каждого любителя балета.


Билеты уже пользуются огромным спросом. Независимо от того, кто исполняет вашу «Жизель» — Баранова, Шевцова, Саммерскейлс, Келлер или Тонев, одно можно сказать наверняка: вы увидите шедевр в интерпретации звёзд высочайшего класса под руководством мастера-режиссёра, который когда-то сам блистал на сцене Парижской оперы.


Приготовьтесь к волнению, воодушевлению и полному очарованию. «Жизель» возвращается в Барселону — и она ещё более сияющая, чем когда-либо.

Giselle — Le ballet le plus romantique revient à Barcelone

21 – 26 octobre 2025, Gran Teatre del Liceu


Aucun ballet n'incarne mieux l'essence du romantisme que Giselle : une œuvre d'une beauté envoûtante, d'une grâce poétique et d'une émotion intemporelle. En octobre, après plusieurs années d'absence, Giselle revient sur la scène du Gran Teatre del Liceu, interprétée par le Bayerisches Staatsballett, l'une des compagnies de ballet les plus prestigieuses d'Europe. Sous la direction inspirée de Laurent Hilaire, lui-même étoile légendaire du Ballet de l'Opéra de Paris, célébré pour son travail avec les grandes productions de Rudolf Noureev, la compagnie entre dans un nouvel âge d'or.


Ce qui rend ces cinq représentations si passionnantes, ce n'est pas seulement le ballet lui-même, mais aussi la constellation de ballerines qui pourraient incarner Giselle. Bien que la distribution n'ait pas encore été annoncée, chaque interprète potentiel est un danseur étoile de renommée internationale, garantissant un niveau d'excellence que peu de compagnies peuvent égaler.


Maria Baranova, avec son phrasé lumineux et son classicisme serein, danse avec un lyrisme intérieur parfaitement adapté à l'innocence et à la fragilité de Giselle. Ksenia Shevtsova, formée à la légendaire Académie Vaganova, offre un raffinement et une musicalité russes qui confèrent à ses interprétations une qualité éthérée et surnaturelle. Laurretta Summerscales, radieuse étoile britannique, allie une technique audacieuse à un sens dramatique vif – sa Giselle serait à la fois puissante et bouleversante. Violetta Keller, nouvellement nommée danseuse étoile, incarne la nouvelle génération prometteuse : fraîche, expressive et pleine de promesses. Elisabeth Tonev, baignée dans le ballet depuis sa naissance, apporte une ligne aristocratique et une technique cristalline qui pourraient façonner une interprétation inoubliable.


Le style de chaque ballerine est unique, mais toutes partagent un art irréprochable, peaufiné sous l'œil avisé de Laurent Hilaire. C'est la magie d'une grande compagnie : quelle que soit la Giselle qui montera sur scène, le public assistera à un ballet d'une splendeur exceptionnelle.


La production elle-même est un joyau. Mis en scène par Peter Wright d'après la chorégraphie légendaire de Coralli, Perrot et Petipa, avec des décors de Peter Farmer, il honore la tradition romantique tout en insufflant une vitalité contemporaine. L'Orquestra Simfònica del Gran Teatre del Liceu, sous la direction de Robertas Šervenikas, illuminera la partition d'Adolphe Adam, enrichie par des musiques de Friedrich Burgmüller et Riccardo Drigo.


Fort de son triomphe à l'Opéra de Munich en juillet, où le public a pu admirer Giselle dansée avec une rare beauté par Ksenia Shevtsova aux côtés de Julian MacKay et par Maria Baranova avec Jakob Feyferlik, le Bayerisches Staatsballett présente désormais son art à Barcelone. Avec seulement cinq représentations, du 21 au 26 octobre, ce sera un événement incontournable pour tout amateur de ballet.


Les billets sont déjà très demandés. Que votre Giselle soit Baranova, Shevtsova, Summerscales, Keller ou Tonev, une chose est sûre : vous vivrez un chef-d’œuvre interprété par des stars de premier plan, guidées par un maître metteur en scène qui a illuminé la scène de l’Opéra de Paris.


Préparez-vous à être émue, exaltée et profondément envoûtée. Giselle revient à Barcelone, plus rayonnante que jamais.

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Thursday, July 18, 2024

Barcelona - Swan Lake 19 - 23 Jul 2024 BALLET DEL TEATRO DELL'OPERA DI ROMA

The big day has arrived, tomorrow the 19th the Swan Lake premieres. The great international star Fumi Kaneko and the incomparable dancer Vadim Muntagirov, both stars of the Royal Ballet of London, inaugurate this series of performances of Swan Lake. Fumi and Vadim were in Rome with this same company a few weeks ago and the success was indescribable, so we all imagine that it will be repeated in Barcelona. It is truly a privilege to be able to attend in person the performance of these two first-class dancers, I would say among the best in the world, it is a great luck. The company from Rome also has wonderful stars such as the divine italian ètoile of the ballet, the fabulous ballerina Alessandra Amato who has obtained sensational successes such as Odette Odile, Kitri, Giselle, so success is assured, also by the great ballerina recently promoted to Prima ballerina Marianna Suriano who will offer us her vision of Odette-Odile which we greatly await with expectation given her great previous successes in other performances in Rome. The princes will be Michele Traciano and Claudio Cocino, superb dancers that will be just wonderful to see them , the whole italian company is really fabulous so a series of Swan Lake of high voltage is awaiting us. We are very lucky to see also Rebecca Bianchi, the great ballet star who achieved so much success in various ballets in Rome all these years, on this occasion will offer us the Russian dance in several performances, so it is a great opportunity to see her live in any of the performances that she does have to dance, we can enjoy her art  . We are very happy about this great surprise. Fumi and Vadim in Barcelona, ​​will be a memorable memory for lovers of Swan Lake.

Le grand jour est arrivé, demain le 19, première du Lac des Cygnes. La grande star internationale Fumi Kaneko et l'incomparable danseur Vadim Muntagirov, tous deux stars du Royal Ballet de Londres, inaugurent cette série de représentations du Lac des Cygnes. Fumi et Vadim étaient à Rome avec cette même compagnie il y a quelques semaines et le succès a été indescriptible, donc nous imaginons tous que cela se répétera à Barcelone. C'est vraiment un privilège de pouvoir assister en personne au spectacle de ces deux danseurs de premier ordre, je dirais parmi les meilleurs au monde, c'est une grande chance. La compagnie romaine compte également de merveilleuses stars comme la divine danseuse Alessandra Amato qui a obtenu des succès sensationnels comme Odette Odile, Kitri, Giselle, le succès est donc assuré, la fabouleuse danseuse Marianna Suriano nous offrira également sa vision d'Odette Odile que nous aimons beaucoup et attendons compte tenu de ses grands succès antérieurs.
Les princes seront Michele Traciano et Claudio Cocino. Rebecca Bianchi, la grande star du ballet qui a obtenu tant de succès dans divers ballets à Rome, nous offrira à cette occasion la danse russe dans plusieurs représentations, c'est donc une excellente occasion de la voir en direct dans les représentations qu'elle a à participer. . Nous sommes très heureux de cette belle surprise de voir live Fumi et Vadim à Barcelone, sera un souvenir mémorable pour les amoureux du Lac des Cygnes.

Il grande giorno è arrivato, domani 19 debutta il Lago dei Cigni. La grande star internazionale Fumi Kaneko e l'incomparabile ballerino Vadim Muntagirov, entrambi stelle del Royal Ballet di Londra, inaugurano questa serie di cinque rappresentazioni del Lago dei Cigni. Fumi e Vadim erano a Roma con la stessa compagnia qualche settimana fa e il successo è stato indescrivibile, quindi tutti immaginiamo che si ripeterà a Barcellona. È davvero un privilegio poter assistere di persona all'esibizione di questi due ballerini di prim'ordine, direi tra i migliori al mondo, è una grande fortuna. La compagnia romana conta anche di meravigliose star come la divina ballerina Alessandra Amato che ha ottenuto successi clamorosi come Odette Odile, Kitri, Giselle, quindi il successo è assicurato, inoltre la ballerina Marianna Suriano ci offrirà la sua visione di Odette Odile che noi molto attendiamo, visti i grandi successi precedenti, il principe sarà Michele Traciano e Claudio Cocino. Rebecca Bianchi, la grande stella del balletto che ha ottenuto tanto successo in vari balletti a Roma, in questa occasione ci proporrà la danza russa in diverse rappresentazioni, quindi è una grande opportunità vederla dal vivo in una qualsiasi delle rappresentazioni che ha a partecipare. . Siamo molto contenti di questa grande sorpresa. Fumi et Vadim a Barcellona, ​​sarà un ricordo memorabile per gli amanti del Lago dei Cigni.

The 19th is approaching, the day of the premiere of the first of the performances of Swan Lake at the Gran Teatro del Liceu in Barcelona. Koen Kessels, the prestigious conductor who made his debut in the ballet world with The Nutcracker, has since directed many ballets, all of them the most famous, and in all the most important theaters in the world. The famous director has already directed Swan Lake and will be in charge of conducting the splendid symphony orchestra of the Gran Teatre del Liceu. The ballet director Eleonora Abbagnato will come along with her fabulous dance company and the choreography of Benjamin Pech, both are stars of the Paris Opera and currently, she is director of the ballet of the Rome Opera Theater and he is the choreographer of this production that was so successful in Rome a few weeks ago and I am sure that it will once again excite the Barcelona public and tourists who are in the city or who come expressly to see the ballet company of the Rome Opera Theatre.

Si avvicina il 19, giorno della prima della prima rappresentazione di Il Lago dei Cigni al Gran Teatro del Liceu di Barcellona. Koen Kessels, il prestigioso direttore d'orchestra che ha debuttato nel mondo del balletto con Lo Schiaccianoci, da allora ha diretto numerosi balletti, tutti i più famosi, e in tutti i teatri più importanti del mondo. Il celebre direttore ha già diretto Il Lago dei Cigni e avrà l'incarico di dirigere la splendida orchestra sinfonica del Gran Teatre del Liceu. Verrà con la sua favolosa compagnia di danza e le coreografie di Benjamin Pech la direttrice del balletto Eleonora Abbagnato, entrambi protagonisti dell'Opera di Parigi e attualmente lei direttrice del balletto del Teatro dell'Opera di Roma e lui coreografo di questa produzione che ha avuto tanto successo a Roma qualche settimana fa e sono sicuro che entusiasmerà ancora una volta il pubblico barcellonese e i turisti che si trovano in città o che vengono appositamente per vedere il corpo di ballo del Teatro dell'Opera di Roma.

Le 19 approche, jour de la première de la première des représentations du Lac des Cygnes au Gran Teatro del Liceu de Barcelone. Koen Kessels, le prestigieux chef d'orchestre qui a fait ses débuts dans le monde du ballet avec Casse-Noisette, a depuis dirigé de nombreux ballets, tous les plus célèbres, et dans tous les théâtres les plus importants du monde. Le célèbre musicien a déjà dirigé le Lac des Cygnes et sera chargé de diriger le splendide orchestre symphonique du Gran Teatre del Liceu. La directrice du ballet Eleonora Abbagnato viendra avec sa fabuleuse compagnie de danse et la chorégraphie de Benjamin Pech, tous deux stars de l'Opéra de Paris et actuellement, elle est directrice du ballet de l'Opéra de Rome et il est le chorégraphe de cette production qui a eu un tel succès à Rome il y a quelques semaines et je suis sûr qu'il enthousiasmera à nouveau le public barcelonais et les touristes qui sont dans la ville ou qui viennent expressément voir la compagnie de ballet de l'Opéra de Rome.



There is still a little time left for the day of the premiere to arrive, but I am very excited so I have already written it down. Yes, Swan Lake returns to the great liceu opera house in Barcelona, I have been lucky enough to see this fabulous ballet many times on many stages around the world, but logically, seeing it in this theater and listening to the wonderful music of Tchaikovsky performed by the fabulous symphony orchestra, it is an experience that should be mandatory for all citizens of the planet, although unfortunately not many know ballet, hopefully these performances will increase the love of classical ballet in this and any other city of the world. The Gran teatre del Liceu opera house was lucky enough to have one of the most famous odettes in the world on its stage, Margot Fonteyn back in the 60s. I saw Swan Lake for the first time in this theater exactly the year 2001, and with no less than an odette, who I would dare to say has not been surpassed, Lucia Lacarra, exquisite, really, exquisite, one of theBest odettes I've seen in my life and I think I'll see. I was also lucky enough to see Tamara Rojo in 2015, which surprised me a lot, because I didn't think I would like her odette very much, and I loved it, her odile, yes I liked it, a lot, logically, because it is unbeatable with its famous fouettes , her three turns, and her balances, her arabesques, in short, a wonderful dancer, but her interpretation of Odette left me with a wonderful memory. Logically, I attended the five performances they gave, in the other two performances I saw the exceptional Alina Cojocaru.the shows were a great success, a great success, the company offered a really wonderful swan lake. A few years later, Swan Lake returned with the Prague Opera Ballet, and I liked it very, very much. I attended two performances, I think, and the public was ecstatic, they were memorable performances, and the orchestra sounded wonderfully well, they were days to remember. On this occasion 2024, the Rome Opera Ballet will come with its director, Eleonora Abagnatto, who curiously danced on the stage of the Lyceu , and whom I saw, a few years ago, when she came in 2004 to dance with her previous company, the Opera.de paris, Joyaux, other memorable performances that will remain in the memory of the Barcelona audience, it was a great opportunity for me to see Marie Agnes Gillot, Agnes Letestu, Jean Guillaume Bart and Jose Martínez again.
Manuel Legris, I would have liked very much to see him, but in the end he couldn't come. In this July 2024 will come as I say, the Rome Opera with its fabulous and marvelous company that obtains such great success wherever it goes, and that obtained a resounding success with the bayadere a few months ago, its Swan Lake a wonderful proposal, and I'm sure it will be a great success, and logically, the orchestra will sound as always, and as the Italians say, alla grande. The days of the performances will be from July 19 to 23, 2024.

Il reste encore un peu de temps pour que le jour de la première arrive, mais je suis très excité donc je l'ai déjà écrit. Oui, le lac des cygnes revient au grand opéra de Barcelone, j'ai eu la chance de voir ce fabuleux ballet plusieurs fois sur de nombreuses scènes à travers le monde, mais logiquement, en le voyant dans ce théâtre et en écoutant la merveilleuse musique de Tchaïkovski interprété par le fabuleux orchestre symphonique, c'est une expérience qui devrait être obligatoire pour tous les citoyens de la planète, même si malheureusement peu connaissent le ballet, espérons que cela augmentera l'amour du ballet classique.Le théâtre du lycée a eu la chance d'avoir sur sa scène l'une des odettes les plus célèbres au monde, Margot Fonteyn dans les années 60.J'ai vu Swan Lake pour la première fois au lycée exactement en l'an 2001, et avec pas moins d'une odette, qui j'oserais dire n'a pas été dépassée, Lucia Lacarra, exquise, vraiment, exquise, une des Meilleures odettes J'ai vu dans ma vie et je pense que je verrai.J'ai aussi eu la chance de voir Tamara Rojo en 2015, ce qui m'a beaucoup surpris, car je ne pensais pas que j'aimerais beaucoup son odette, et j'ai adoré, son odile, oui j'ai aimé, beaucoup, logiquement, car elle est imbattable avec ses fameuses fouettes de trois tours, et ses équilibres, ses arabesques, bref, une merveilleuse danseuse, mais son interprétation d'Odette m'a laissé un merveilleux souvenir.Logiquement, j'ai assisté aux cinq représentations qu'ils ont données, dans les deux autres représentations j'ai vu l'exceptionnelle Alina Cojocaru.les spectacles ont été un grand succès, un grand succès, la compagnie a offert un lac des cygnes vraiment magnifique.Quelques années plus tard, Swan Lake est revenu avec le Ballet de l'Opéra de Prague, et j'ai beaucoup aimé ça.J'ai assisté à deux représentations, je pense, et le public était ravi, ce furent des représentations mémorables, et l'orchestre sonnait merveilleusement, ce furent des jours inoubliables.A cette occasion, le Ballet de l'Opéra de Rome viendra avec sa directrice, Eleonora Abagnatto, qui a curieusement dansé sur la scène du Lyceum, et que j'ai vue, il y a quelques années, lorsqu'elle est venue en 2004 danser avec sa précédente compagnie, l'Opéra de Paris, Joyaux, d'autres fonctions mémorables qui resteront dans la mémoire des fans barcelonais, c'était une belle occasion pour moi de revoir Marie Agnès Gillot, Agnès Letestu, Jean Guillaume Bart et José Martínez, elle ne pouvait pas venir Barcelone, Manuel Legris, j'aurais beaucoup aimé le voir, mais finalement il n'a pas pu venir.En ce mois de juillet 2024 viendra comme je le dis, l'Opéra de Rome avec sa fabuleuse et merveilleuse compagnie qui obtient un si grand succès partout où elle passe, et qui a obtenu un succès retentissant avec la bayadère il y a quelques mois, son Lac des cygnes est une merveilleuse proposition , et je suis sûr que ce sera un grand succès, et logiquement, l'orchestre sonnera comme toujours, et comme disent les Italiens, alla grande.Les jours des fonctions seront du 19 au 23 juillet 2024.

C'è ancora un po' di tempo prima che arrivi il giorno della premiere, ma sono molto eccitato quindi l'ho già scritto. Sì, il Lago dei cigni torna al grande teatro dell'opera di Barcellona, ​​​​ho avuto la fortuna di vedere questo favoloso balletto molte volte su molti palcoscenici in tutto il mondo, ma logicamente, vedendolo in questo teatro e ascoltando la meravigliosa musica di Čajkovskij eseguita dalla favolosa orchestra sinfonica, è un'esperienza che dovrebbe essere obbligatoria per tutti i cittadini del pianeta, anche se purtroppo non molti conoscono il balletto, si spera che questo aumenti l'amore per il balletto classico.Il teatro del liceo ha avuto la fortuna di avere sul suo palco una delle odette più famose al mondo, Margot Fonteyn negli anni '60.Ho visto il Lago dei cigni per la prima volta al liceo esattamente nel 2001, e con nientemeno che un'odette, che oserei dire non è stata superata, Lucia Lacarra, squisita, davvero, squisita, una delle migliori odette Ho visto nella mia vita e penso che vedrò.Ho avuto anche la fortuna di vedere Tamara Rojo nel 2015, cosa che mi ha sorpreso molto, perché non pensavo che la sua odette mi sarebbe piaciuta molto, e l'ho adorata, la sua odile, sì mi è piaciuta, molto, logicamente, perché è imbattibile con i suoi famosi fouettes de tre giri, e i suoi equilibri, i suoi arabeschi, insomma una ballerina meravigliosa, ma la sua interpretazione di Odette mi ha lasciato un ricordo meraviglioso.Logicamente, ho assistito ai cinque spettacoli che hanno tenuto, negli altri due spettacoli ho visto l'eccezionale Alina Cojocaru.gli spettacoli sono stati un grande successo, un grande successo, la compagnia ha offerto un lago dei cigni davvero meraviglioso.Qualche anno dopo, il Lago dei cigni è tornato con il Balletto dell'Opera di Praga, e mi è piaciuto molto, moltissimo.Ho assistito a due spettacoli, credo, e il pubblico era estasiato, sono stati spettacoli memorabili e l'orchestra suonava meravigliosamente, sono stati giorni da ricordare.In questa occasione verrà il Balletto dell'Opera di Roma con la sua direttrice, Eleonora Abagnatto, che curiosamente ha danzato sul palco del Liceo, e che ho visto, qualche anno fa, quando venne nel 2004 a danzare con la sua precedente compagnia, la Opera.de paris, Joyaux, altre funzioni memorabili che rimarranno nella memoria dei fan del Barcellona, ​​è stata una grande opportunità per me rivedere Marie Agnes Gillot, Agnes Letestu, Jean Guillaume Bart e Jose Martínez, non poteva venire a Barcellona, ​​Manuel Legris, mi sarebbe piaciuto molto vederlo, ma alla fine non è potuto venire.In questo luglio 2024 arriverà come dico, l'Opera di Roma con la sua favolosa e meravigliosa compagnia che ottiene tanto successo ovunque vada, e che ha ottenuto un clamoroso successo con la bayadere qualche mese fa, il suo Lago dei cigni è una proposta meravigliosa, e sono sicuro che sarà un grande successo, e logicamente, l'orchestra suonerà come sempre, e come dicono gli italiani, alla grande.I giorni delle funzioni saranno dal 19 al 23 luglio 2024. 

Moscow - Don Quixote - Bolshoi- October 2025

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